Directing
Directed by Peal
Lal Pori & The Red Car
2024 • House of Stories
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JAP Studios • Jobayar Abir Peal
The Artist Behind
The Cinematic
Rhythm.
Director. Editor. Post-Production Artist.
Architecting tension, pacing, and visual tone for Dhallywood's biggest box-office records and OTT sagas.
Featured Productions
Theatrical Releases & Major OTT Series
Lead Edit / Post
Toofan
2024 • Theatrical
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Lead Edit / Post
Surongo
2023 • Theatrical
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Lead Edit / Post
Mohanagar 2
2023 • Hoichoi
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Lead Edit / Post
Syndicate
2022 • Chorki Original Series
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Lead Edit / Post
Ami Ki Tumi
2023 • iScreen
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Featured Productions • Main Showreel (16:9)
Click to Play Reel
Jubayer Abir Peal
Director & Editor Showcase
Vision & Authorship
Directed by Peal
Featured Directorial Showcase
Lal Pori & The Red Car
A psychological horror-thriller exploring human illusion (motibhrom), midnight highways, and the spectral twilight of folklore.
Directorial Project
Jimmi
Raw urban neo-noir examining primal guilt, street vengeance, and character unraveling amidst relentless rainfall and concrete shadows.
The Directorial Vision
Directing with an editor's mind means every shot is visualized as an integral gear in an emotional machine. No wasted frames, no superfluous coverage—only deliberate camera geometry, expressive high-contrast lighting, and pulse-driven narrative pacing.
2.39:1 AnamorphicPsychological NoirDynamic Pacing
Stunt Choreography
Stunt & Action Coordination
Specialized execution of high-speed vehicular action, precision motorcycle chases, and visceral physical combat sequences built for seamless post-production assembly.
Post-Production Supervision
Editing & Post-Production
JAP Studios Suite
The Architecture of the Cut
Timeline Architecture
Multi-cam offline assembly, complex non-linear narrative cross-cutting, and rhythm sculpting that commands audience attention across 150-minute theatrical runtimes.
ACES & HDR Color Pipeline
High-contrast monochrome, moody neo-noir cyan-and-amber splits, and ACES-calibrated master grading utilizing DaVinci Resolve Studio.
Immersive Sound Conform
Multi-channel 5.1/7.1 surround sound design supervision, tactile foley editing, and industrial-synth psychoacoustic score alignment.
VFX & Master Delivery
Dual-role body double VFX conform (as in Toofan), digital cleanup, multi-platform master encoding for Hoichoi, Chorki, Binge, and DCI-compliant Theatrical DCPs.
Impact & Scale
Redefining the standard for OTT and theatrical post-production.
400M+
Minutes Streamed
Shaping the pacing and visual tone of record-breaking cultural streaming hits across South Asia.
VFX
Complex Conforms
Managing massive multi-camera setups, dual-role VFX splits, and high-frame-rate action sequences.
HDR
Color Pipelines
Setting the visual atmosphere with distinct, mood-driven cinematic color palettes and ACES color science.
Critical Acclaim & Box Office Milestones
Recognitions & RecordsBest Editor Nomination
Daagi (2025)
New York Bangla Film Festival
“Nominated for masterclass narrative rhythm, emotional restraint, and heightened tension.”
Dhallywood All-Time Record (50+ Cr BDT)
Toofan (2024)
Commercial Box Office Milestone
“Chief editor of the highest-grossing film in the history of Bangladeshi cinema, screened across 15+ nations.”
Best Editing Nomination
Syndicate (2022)
Blender’s Choice – The Daily Star OTT Awards
“Recognized for translating neurodivergent perception into taut, kinetic audio-visual suspense.”
All-Time Single-Day Record
Osomoy (2024)
National Streaming Viewership Milestone
“Shattered all prior OTT viewership metrics within 48 hours of premiere on Bongo.”
The Architect
Behind The Cut.
Name & Discipline
Jobayar Abir Peal
জুবায়ের আবীর পিয়াল
Banner & Studio
JAP Studios
Dhaka, Bangladesh
Tenure & Industry Role
Alpha-i Studios Ltd.
Chief Video Editor (Since 2014)
Origins
Joypurhat, Bangladesh
With over a decade of continuous mastery in the media and entertainment industry, I specialize in bringing uncompromising cinematic visions from raw rushes to world-class master delivery. As a director, lead editor, and the founder of JAP Studios, my work spans the entire spectrum of visual storytelling—from the visceral tension choreographing a night car chase on set to the razor-thin micro-cuts inside the editing bay.
I have had the honor of shaping some of the most culturally impactful and commercially historic projects in modern Bangladeshi cinema and streaming. As chief editor and post-production supervisor, I’ve architected the pacing, psychological tension, and visual tone of epochal OTT sagas including Mohanagar 2, Syndicate, August 14, and Ami Ki Tumi, as well as landmark theatrical box-office blockbusters like Toofan (50+ Crore BDT historic gross) and Surongo.
“The edit dictates the rhythm, the color dictates the mood, and the raw truth of the story dictates everything.”
Whether I am in the director's chair conceiving high-concept thrillers like Lal Pori & The Red Car or harmonizing massive multi-camera timeline confforms, my objective remains absolute: visceral immersion, dramatic weight, and rhythm that leaves an indelible imprint on the viewer.